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Not all inks are created equal—especially when it comes to relief printing. In this post, I spill the (oil-based, highly pigmented) tea on why acrylic paint won’t cut it, when water-based inks can be your friend (and foe), and why I swear by Cranfield Safe Wash inks for their rich colour, long working time, and easy cleanup. If you’ve ever felt overwhelmed by all the options on the art store shelf, this one’s for you.

Reduction printing is a challenging, sometimes frustrating, but ultimately rewarding printmaking technique. Having just finished a seven-layer reduction print, I thought I would share a little info and some tips about the process.
I explain the five main reasons that I continue to carve rubber (despite what the Lino purists say...)
I have just undergone a studio overhaul and I'm happy to share some advice!

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